flyfisher wrote:Go and look at the Drift Ghost S if you can stretch or the original Ghost, far better cameras for filming fishing than GoPro. If you can get hold of Fish and Game magazine (most book shops have it), I just wrote a 2 page article on action cams for fishing with all the info you'll need to know. Definitely use 60fps if you intend doing any slow motion stuff. I have also used Contour, Sony and GoPro extensively. The Drift runs rings around all of them, especially in regards to battery life, double the GoPro and far easier to use. If you're uploading to Youtube, video quality is irrelevant as Youtube down-samples the hell out of any footage, another reason why 4k is totally pointless for online viewing via popular mediums. Andrew |
flyfisher wrote:Just through online sites part-timer. www.basenz.com in Wanaka sell them as does a few other online retailers, always had good service from Base. The Drift network is nowhere near as extensive as GoPro which have a truly massive marketing machine. Action cameras are a funny item, I reckon at least 90% of the people who buy them, use them once or twice then stick them in a draw never to be used again... filming is easy, uploading, editing and soundtracks are hard! |
Say I hook a fish… I simply tap the remote located on my wrist after I hook-up… the camera will
automatically start saving to the memory card, saving back footage 2 minutes
prior to that point (The hookup)… the current 2 minutes (playing the fish)… and the next 2
minutes after that (The release). What this does is ensure you NEVER miss
capturing that all important strike and the build up to that moment which
really makes a clip.
Video tagging can be set to much longer intervals as well, but for most battles with our freshwater denizens, 6 minutes total tagging time seems about right, if it is a prolonged scrap, tapping the remote again will add a further 2 minutes onto the recording and so on. More importantly, this also negates having hours and hours of footage to trawl back through when editing, leaving you with just the segments you ‘want’ to include in your clip, a very handy and time saving feature......"
flyfisher wrote:I think the Sony is the only one with true stabilisation Krow. I have never had an issue with it, even head mounted as you'll see on my Youtube clips. On a boat is fine, unless you're smashing into a short hard chop, in fact the boat mounted footage is excellent I found - really stable. Here is some sample Ghost S footage from earlier this year in various situations. (using a polariser here, hence blue sky hues). This is 1080 and 60fps with standard bit rate, there is a high bit rate setting, but it's not required for Youtube IMO. It has an external Mic input, so that helps if you want sound. I don't use sound on my clips so not an issue, external mics are cheap as however. Use at sea is hard on cameras, the Ghost(s) I have had lasted very well (some minor corrosion on the body screws), I don't use them underwater though, if you want underwater footage, a GoPro in a case is the best bet, but any camera used underwater then pulled back into sun will fog - they all do it. The Ghost S has far superior image quality than the Contours, I used to use the Roam, still a great, albeit, basic camera for filming. |
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